In the photography of Umberto Miceli, the world becomes a quietly wistful and peaceful corner where the mist, the sky, and the forest coexist in a state of isolated vacuum that rejects the outside world.
The Italian artist’s devotion to nature photography is unyielding. His photographs explore faded, dreamy landscapes with the attention and dedication of a Renaissance painter.
In the collection of photographs featured here, Miceli showcases the subtle and nostalgic merge between cold yet cozy meadows, a pleasingly suave sunset sky, and the view from the midst of a seemingly never-ending pasture. The photographer explains: “These photographs come from a personal exploration of fog, solitude, and fragile traces in the landscape.”


There is, indeed, a certain level of melancholy hovering over the fields, a greenish spectral presence that can almost be tasted in the morning air. The artist captures that sense of lonesomeness by framing single trees against a fading natural backdrop. He does not, however, cast it away; instead, he sits with it, perhaps even embracing it as he points his camera toward it.


Ultimately, Miceli’s main interest does not reside in documenting the vast immensity of the countryside or creating a compendium of emotions. In his view, the primary purpose is to absorb the sensations emitted by nature and translate them. “I’m less interested in documenting places than in capturing the feeling of passing through them,” the photographer says.

Read our “Roots” issue in full
The new theme, born as usual from what the submitted works held in common, is “ROOTS.” Within its pages, we present the artworks, creativity, and inspiration of 60 visual artists and writers from 21 countries around the world. Their diverse voices come together around a shared exploration of the return to where one belongs, the invisible threads of tradition that shape identity, and the ongoing reconnection with nature, others, and oneself.


We’re a team of writers using our craft to spotlight art in its most honest form. RAWGUE. started as a bi-monthly editorial experiment where each issue’s theme is dictated by the submitted work, thus removing editorial bias from the equation and preserving a more raw approach. We focus on all forms of poetry: written, photographed, painted, drawn, and filmed.


